Monday, October 5, 2015

Got My First Real Six-String

By Howard Rabach, Session Bassist and Producer: see www.hrbassman.com or www.machineroomstudio.com.


So you want to learn how to play guitar! Just head to the closest strip mall and...

Woah! Slow down there. True; it is possible to purchase a brand new item labeled as a ‘GUITAR’ at a ‘big box store’ for under $50.00. It’s also possible to purchase a used automobile for a similar price, but would you get behind that steering wheel? Let’s face it - most of these instruments were poorly constructed and mass-produced, made with below-market-grade parts, in factories that produce slippers, dinette sets, or soap dispensers.  

You don’t have to spend a ton of money to buy a first guitar; I’d strongly caution against it. There are many well-constructed, very playable instruments that can be purchased for under $500.00. Acoustic guitar prices can vary wildly, with some custom-made instruments going for tens of thousands of dollars - and more!


How To Begin


Do yourself a favor and go to an independent, “brick-and-mortar” store in your area.  Don’t know one? Get a recommendation from a musician you know, or the person who owns the local CD/record store, or the manager of a local live music venue - even check Facebook. When I recommend a store to my students, I do so based on the following criteria:


1. A high level of patient service before, during, and after the sale
2. The collective knowledge of the staff
3. The price and quality ranges of instruments in stock
4. They are non-commissioned employees (little pressure on you to buy anything)
5. The reputation of these stores among musicians and teachers


These shops want to build a relationship with you, so they should make your experience a good one. They’ve built their reputations and clientele on providing a level of service that continues to earn them lifetime customers.

[Ed. note: We highly recommend Chuck Levin's Washington Music Center for their outstanding service, huge selection, and location right off the Metro. In Baltimore, our go-to resource is Bill's Music.]

Kicking The Tires

OK...you found a store that seems to have a good selection and some nice folks inside.  But what do you do when you walk in?  If no one has greeted you yet, walk up to the counter and tell them you’re a beginning guitar student, and need a lot of help to pick the right instrument.  Most likely, you’ll get a smile, maybe a pat on the back, as they walk you over to a wall peppered with dangling guitars.  Now get comfortable.

An experienced and knowledgeable salesperson (who is most likely a musician as well) should be able to show you at least 2-3 instruments that would be good choices.  Are you going to be taking specialized lessons (like classical, jazz, or flamenco?); this information is important to help guide the salesperson’s choices, so let him/her know.  Generally, the instrument should be comfortable to hold, you should like the tone it produces, and it should look cool - to you.


While it’s important to give the salesperson an idea of your budget, keep in mind that a well-built, entry-level instrument will most likely cost somewhere between $300 and $500, not including extra sets of strings, a case, some picks…  In other words, be realistic when going in (a little pre-shopping on-line research could help).  


Speaking of accessories, some guitars come with a bag or case, but many don’t.  Often though, the included case is nothing more than thin plastic with a zipper that won’t offer any protection at all.  It is a smart investment to purchase a solidly constructed “gig” bag (soft-case) made from heavy-duty padded nylon, solid zippers, handles, and optional shoulder straps.  That said, unless it comes with one, don’t feel obligated to purchase a heavy hard case built for travel.  It adds weight, it’s cumbersome, and it’s unnecessary.  

Set-up


Once you’ve settled on a guitar that you want to buy, inquire about a “set-up” for the new instrument.  Some stores will include related services when you purchase a new instrument, but most do not.  That said, the cost for this service tends to be reasonable, and helps make the instrument really playable from the beginning.  I’ve paid an average of $70-$80 for a good setup.


A “set-up” usually consists of the following things…


1. Strings: You don’t know how long those strings have been on that guitar, and how many people have tried playing it before you arrived.  Fresh strings breathe new life into a guitar (a set should cost somewhere in the $5 -$10 range; installation should be included in the setup fee) 
2. Adjust the “action”: Running inside the neck of your guitar is a long, metal screw (truss-rod) fastened at both ends.  An experienced guitar repair technician will make adjustments to this so the strings are the appropriate distance from the fretboard in order to make it easier to play.
3. Check/tune-up the hardware: The tech will also look at the tuning machines, the bridge, the individual string saddles, the nut - everything - to make certain they are all in fine shape and working properly.
4. Overall clean and polish: Your instrument should look better than when you brought it in!


Ask for a couple of sets of appropriate strings; your guitar teacher should spend at least one lesson demonstrating how to tune your guitar, and how to change strings.  Everyone breaks a string at some point; be a good scout and be prepared - buy more.  


Some new guitars will come with a polishing cloth, as it’s really important to wipe down the instrument when you have finished playing it for the day. Overtime, oils and dirt from your hands can age the strings more quickly, and in extreme cases hurt the finish of your instrument. A wipe down after playing can help prolong the life of your instrument. If your model does not come with one, grab one from your linen closet at home and keep it in the guitar case (an old concert shirt works fine too).


If you’ll be learning to use a pick make sure to have the salesperson include a few medium or heavy gauge picks. You’ll develop a preference for certain types of picks and strings as you become a more experienced player. 


Make sure to invest in a decent electric tuner. There are battery-powered models, many under $20, built to clip right onto the headstock of your guitar with a brightly lit screen that will guide you to keeping your instrument in tune. Have the salesperson show you a few models, and demonstrate how they operate.


One item I always recommend to my students, is a string winder. When you replace a string on your guitar, it takes quite a few turns of the tuning peg to first undo the old string, and then to tune up the new one. A string winder fits right on to the tuning machine; you turn the handle, and it provides non-stop motion, tuning your string up or down much more quickly, without hand strain!  


Some string winders have a built-in pair of wire-cutters, which are necessary to trim strings to the proper length. If the store does not stock that model, purchase a small pair of wire cutters from a hardware store to keep in your case.

You’ve Been a Wonderful Audience


Take care of your guitar and it’ll take care of you. If you maintain your instrument it will feel easier and more comfortable to play, which will make practicing and lessons fun.  At the very least, if you’re still playing in a few years, and want to “trade up” to a more luxurious model, the sale of your well-maintained instrument could provide a healthy down-payment. Yes, there is a lot to learn, but remember: your teacher and your guitar shop are there to help. As I often tell my own students, “The only stupid question is the one you don’t ask.” Good luck, and keep on strumming!


Tuesday, September 22, 2015

Best Places in DC to Take Your Flashband Friends after Practice

By Deborah Lash, Flashband’s Community Coordinator

DC is such a small town. Everyone hangs out at the same bars, goes to the same venues and drinks the same coffee, right? ...Not so much. Here are a few fresh ideas for where to go after you wrap up band practice. We promise, they’re worth the visit! 

Songbyrd Record Cafe
2477 18th St NW

Songbyrd is a newer cafe and “music house,” bringing good food together with a recording studio in Adams Morgan. We’re got our eyes on one of the Byrd Burgers and a Ward 1 cocktail, but take some time to browse their vinyl collection and claim one of the listening stations to check out a new playlist or two. Stay tuned for their upcoming recording studio.

Crooked Beat
2116 18th St NW

If you haven’t been here yet, we might have to have some words. If you’re a regular, don’t forget to give them an Instagram follow so you can keep up with their newest finds and upcoming shows.

BloomBars
3222 11th St NW

Bloombars is more than just a venue; it’s a non-profit that’s dedicated to supporting our arts community. They host open mics, concerts, classes and community activities, so don’t wait to get involved if you see something you like. Check out their upcoming events and toss a few dollars their way, as they’re recouping from a recent break-in.

TreeHouse Lounge
1006 Florida Avenue NE

Get out of the usual small venues and try something new! TreeHouse Lounge welcomes bands of every kind, and it’s right by the H Street Corridor. A bunch of our Flashband alumni bands perform here regularly. Bring your own food or order from the pizza place next door. 

DC DIT

We love being a part of DC’s DIY scene, and there is so much music to find and experience all around town. These “Do It Together” musicians and artists collaborate to plan and book events “that matter to the soul of the DC community.” Get involved, and also visit DC Showspace for more underground shows you need to check out.

What's your favorite place to hang out and find new music in DC?

Monday, September 14, 2015

How to be Prepared for Your Big Moment on Stage

By Deborah Lash, Flashband's Community Outreach Coordinator

Everyone gets performance jitters. Even Flashband's most seasoned musicians get nervous before they get up there and play their hearts out. Here are our tips for being prepared for your next big show!


The Week Before

Practice, practice, practice. Sure, we say this all the time. But do you do it? Make sure to schedule enough time with your bandmates to work through any kinks in your songs. Think about what your performance might look like and do a little blocking, or mapping out of where you’ll be on stage. (And if you’re a singer, work on memorizing your lyrics.)

Give a test performance. Remember how you did that blocking? Now put it to the test. Call a few friends or Flashbanders over to rehearsal and give them a private show. We don’t mean playing 30 seconds of a song and asking them what they think; run through the whole thing, start to finish, and don’t ask for feedback until the end. Your friends know this is practice, but they’ll still get swept up in your music if you play like you mean it. Bonus tip: Ask one of them to record you so you can watch it afterwards. (If you like it, send it to Flashband so we can brag about you!)

Talk to your bandmates. Everyone gets nervous before a show. Sit down with your bandmates after practice, grab a drink, and talk it through. Is there an experienced performer in your group? Ask them for some advice. Just sharing your thoughts might help someone else feel better if they’re nervous, too. Bonding with your band will help you have a better show, so don’t hold back.


The Day Before

Clean your house. According to Princeton researchers, “The clutter competes for your attention in the same way a toddler might stand next to you annoyingly repeating, ‘candy, candy, candy, candy, I want candy, candy, candy, candy, candy, candy, candy, candy, candy, candy …’ Even though you might be able to focus a little, you’re still aware that a screaming toddler is also vying for your attention. The annoyance also wears down your mental resources and you’re more likely to become frustrated.” Give yourself a little time to do a once-over of your apartment, or, if you’re short on time, pick a smaller task and finish it. The sense of accomplishment will help you feel more confident, and having a clean space will calm you down. 

Dress like a rock star. If you know you look good, you’ll feel good, too. Plan out what you’ll wear and make sure it’s an outfit you feel comfortable and powerful in. Fans can tell when you’re not 100% focused on the performance, so make sure you won’t be distracted by pants that are too tight or sky-high stilettos. 

Call your best friend. Or your mom. Or both! Talking through your nerves with your bandmates is one thing. But talking to someone who loves you unconditionally is important, too, if only for the self-esteem boost. Call up someone in your life who will always answer, let them hear you out, and believe them when they tell you you’re great. (Because you are!)


The Moment Before

Slow down. You made it to the venue early and did sound-check. The space is filling up and your friends are almost there. While you have a few minutes, grab a glass of water, find a space by yourself, and take some deep, slow breaths. This will help you be a little more present and tamp down the anxiety. 

Pick up a good luck charm. Even if it feels a little silly, research shows that carrying an item that you feel is lucky will actually boost your mental and physical performance -- but only in situations where you can directly affect the outcome. So wear your lucky underwear, or borrow a friend’s lucky guitar pick. Whatever it is, make sure you’ve got it before you go on stage. 

Find your ritual. Musicians everywhere have little rituals they follow before they perform. What do you need to do to feel totally confident? Whether it’s noodling on your guitar outside, saying a prayer, or jumping around with your bandmates for a minute, do it. Rituals help you feel like everything is in place and ready to go. 

Get up there. Let the adrenaline take over, let the music flow, and let go of those inhibitions. You’re going to kill it!

What are your tips for getting ready to take the stage?

Tuesday, September 8, 2015

Meet the Musician: Ariela Fleisig, singer and harpist

This post profiles Ariela Fleisig, singer and harpist. She has participated in five Showcases and is currently working on projects with fellow Flashbanders, so keep an ear out!

 Like many others, I didn’t find Flashband; Flashband found me. I’d confided in a friend of mine who’s a talented local musician (Maryjo Mattea of Two Dragons & A Cheetah and Doctor Robert & Penny Lanecheck her out!) that I’d always wanted to be the lead singer of a band, but that I thought it would never happen. She knew a few musicians who had great experiences with Flashband, and encouraged me to check it out.

A few months later, I finally decided to try out a jam. I was really, really nervous; mostly worried that I wouldn’t be good enough or that I wouldn’t know any of the songs people would want to play. Jamming can sometimes be tough for vocalists that waywe don’t always know what to do with just a random key or chord progression. Once I got there, though, everyone was really welcoming and friendly, and I soon found a great group of musicians to play with. 

To me, Flashband has meant the opportunity to live out a dream. I’d sung in choirs, a cappella groups, and even a competitive karaoke league, but to be in a band and really help shape the music I make instead of taking directions or using a cookie-cutter mold is a truly unique experience. 

To those who are new to Flashband, don’t be afraid to speak your mind, and if you’re extroverted like I am, make an effort to give everyone in the band an opportunity to be heard. Everyone deserves a say in whatever you’re playing, and that quiet bandmate you have usually has something valuable to share. 

Don’t be afraid to jam, especially you, vocalists! If you’re a singer and folks are jamming in a given key/chord progression or playing a song you don’t know, you can always scat or use words to other songs you know already.



People often ask me, “What genre do you sing?” and I always refuse to answer the question. There’s no need to stick to any one genre in the DC scene to be able to play and have your music appreciated. The beauty of our community is that musicians support and play with each other across genres rather than just forming homogeneous lineups. Everyone’s way more exposed to music they might not otherwise hear, and that allows us to make more interesting and completely new music. 

I also love to perform. When I’m on stage, I go by “Lala,” which probably sounds like I think I’m a real-life Mystique taking on the persona of an MTV VJ. The description’s not so far off, thoughon stage, I feel like a completely different, more confident person. There’s no better feeling than taking all the energy from a crowd and giving it back tenfold. 

I’ve also grown a lot as a musician and a person. Every time I play with a new Flashband, I get to play with a completely new set of musicians, and every band has its own unique set of challenges to grow from. 

Music has always been intertwined with family for me. Most of my earliest memories involve music: dancing around to a song my mom was playing on the piano, learning my times tables by singing along with a tape, and even singing blessings with my parents and sister over holiday candles. To this day, whenever I’m with my mom in a car and “California Dreamin’” comes on, we roll down the windows and belt it out together. Music’s also my favorite therapy. I’ve gotten through the toughest times in my life by finding the right song and a friend and singing together.

Want to be featured in an upcoming Flashband Meet the Musician? Contact Deborah Lash for more info.

Thursday, September 3, 2015

Meet the Musician: guitarist Joel Lopez

This profile features Joel Lopez, guitarist and six-time Flashband performer.


I was referred to Flashband by my buddy so we could go together and feel a little more confident. When we got there for the Meet and Greet, we didn’t know what to expect, but everyone there, especially the staff, was super friendly and helpful in organizing and making sure things went as smoothly as possible so it was not chaotic, especially for newbies like me. First experiences like this are always somewhat intimidating; however everyone’s positive attitude made the difference in the decision to continue. 

Flashband has definitely opened the door I needed to get involved in the music scene; I have found music camaraderie that I’ve wanted to be a part of for a while, but without knowing how. 

Before Flashband, I played guitar by myself, mostly either to backing tracks or jamming to my favorite songs. I did not have a sense of community when it came to music. Now I have met very talented musicians and have made some great friends. D.C is a city that is alive. There is always something to do in D.C and local music can always be found here. Why not be part of it?

Aside from the social experience, I have also progressed as a musician, learning what my strengths and weaknesses are in regards to playing with a band. Even though I will probably always over-analyze it, I know I will keep improving as long as I keep playing. 

Music is moving; it’s capable of lifting me up and enhancing my mood, and it expresses things that sometimes words can’t. It is a major outlet and hobby that I would like to have and share for the rest of my life.

I have been lucky enough to play in several Flashbands, including the Thanksgiving show (“TBD”), '80s Dance Party (“Those Loud MFers”), One Hit Wonders (“Only Never Lonely”), Animals (“Dead Vultures”), the Three Year Anniversary (“Flowstate”), and the Public Domain Showcase (“Noize”). I've also played a couple of non-Flashband gigs with the members of Flowstate, going as Flowstate Live. I mainly play guitar, although I dabble with piano mostly for looping purposes for guitar melodies.

To anyone who is new to Flashband, I say have a positive attitude towards everything, communicate with your band members or jam buddies, and attend local shows and other Flashband events to get a better idea of what it’s like. And practice, practice, practice. 

Monday, August 31, 2015

Meet the Musician: Roberto Giberti, guitarist and bassist

This profile features Roberto Giberti, guitarist, bassist and five-time Flashband performer. 

Flashband is definitely the best place to be if you need to explore music and know other musicians in DC. And behind every unknown musician you can find a surprise, a talent, a passion, and a different style, so it’s good to be in this mix.

I’m not American, but it looks to me that it’s quite challenging to play in DC, at least compared to other cities where I’ve played, like San Francisco, San Diego and Toronto. A few months after I moved here, I was losing hope to play. I was looking for other musicians because I wanted to form a band. Then I met Flashband. I used to play guitar, then I switched to bass just because it was easier to join a band. But actually I found out that I enjoy bass way more than guitar now.

It was great to meet so many musicians in the same spot at my first Flashband event. And I really liked the organization in every step, from the website to the Meet and Greet to the showcase. The staff made me feel very welcome, and the other musicians made the rest. Also, the partnership with the 7DL works perfectly, because it’s a great place to practice andof courseto meet other musicians.

For me, the value I have gotten from Flashband is not so much playing at the Showcase, because I have had the opportunity to play quite a few gigs in the pastmostly in Italy, where I come from. So actually the great value of Flashband for me is networking. I really hope that more and more musicians will populate DC in the future, and more venues will accommodate more gigs.


Don’t get stuck in a rehearsal room. Try to gig as much as you can; even a simple open mic can teach you how to express yourself in a new situation, and build the right chemistry with the audience.

How can you live without music? How can you celebrate without music? What other company you can have when you are lonely? What’s the best vessel for poems, thoughts, speeches and prayers? You see… It’s impossible to live without music!


Want to be featured in an upcoming Flashband Meet the Musician? Contact Deborah Lash for more info.

Thursday, August 27, 2015

Meet the Musician: Matt Febles of District Sky Punch

This profile features Matt Febles, member of District Sky Punch and eight-time Flashband Showcase performer. 

I've really benefitted from Flashband, probably more than most. The idea was to meet people after living here for a little while, and do something to replace what I liked to do in my spare time back home in New York. I was a high school track and field coach and a marathon runner for over 10 years up there, and those were all my social connections. But I couldn't find a good coaching job down here, and I was injured and unable to run for a while, so I was going stir crazy and getting very homesick. By joining Flashband, I made new friends and found out I had decent musical ability, or at least that I was in demand as a bassist. And I was getting a chance to do something I always wanted to do, but just hadn't tried before.

My first Flashband was We <3 the '90's last April with Vaguely Phallic (what's up Keith, Steph, Arthur and Steve!). To be totally honest, it was the first time I'd played music on stage in public. My hands were shaking, but as soon as the music started I relaxed and nailed my parts in the first song, which wasn't an easy one, I might add. (It was "In The Meantime", by Spacehog, and that bass line is a beast!)

At my third or fourth Flashband, the FlashBanned showcase for Banned Books Week. I was in a group with Cody Valentine, Jeremy Libre, Daniel Rothman, and Keith Guthrie; we were called the F Bombs, and we only played the Showcase and two other shows, but they were really electric. We just clicked and even the practice jams were amazing. I don't know what it was exactly that made it work, but that's something I'll always cherish, and for what its worth, that's the thing I try to repeat now with every group I'm in. We just jammed again last week with everyone except Keith (who moved to Portland), and pretty much the same thing happened: We took off like a rocket, with amazing chemistry. That's what I hope everyone can get out of Flashband or any musical collaboration—something unique and inspiring that you try to duplicate over and over.

I play bass, and I always have, because I love it. I also play acoustic guitar sometimes to learn songs, practice vocals, write originals, and do serenade sing-a-longs with my wife, Maria.


District Sky Punch is my main band. We are a local band that's recorded an EP, and have had our music played on college radio nationwide. We write beautiful, eclectic songs, and my bandmates tolerate my weirdo jazz-funk-metal bass tendencies. I was referred to them by Miles from 7Drum (thanks dude!). I also played bass for Fellowcraft when they started and had a blast playing a ton of shows with them around DC. I continue to play with The Higher Numbers, and a few other Flashband alums at ongoing jams, with occasional gigs. And I still play occasionally with a Meetup group called DC Rockers; that's really where it all got started for me.

To other musicians who are starting out, be open-minded, and be prepared for anything. I got lucky in that the way I used to practice at home worked exactly like the Flashband Meet and Greets usually do. I used to just play along to albums, playlists, and the radio, quickly learning and improvising by ear to whatever came on next. No tabs or sheet music; just playing along by ear. Try to be like a jukebox and get the chords right or close, at least, since you can learn how to play YYZ note for note later!


The best part of being a musician in DC is meeting people, like all the bandmates and friends I've made from Flashband: Neal, Miles Ryan, Cody Valentine, Sara Elizabeth Murphy, Dan Gage, Chetan Rao, JR MacDonald, Rico and Lainie, Fa, and many more... too many to list! I think we have the beginnings of a real music scene here, and given the state of the business of music, with the social media and local performance-oriented nature of what we do, I think we can make something really interesting happen here, that I would be happy to be a part of, in any way.

Playing bass and recording and writing original material has been a great experience and definitely something I want to pursue and continue working on as a bandmate, songwriter, and session musician. My coaching and training philosophy was always based on the idea of preparing for performance all the time, and being creative about challenges when it's time to perform. That background has made working as a musician easier, despite my admitted lack of experience. I'm looking forward to the next steps with Flashband, and the next phase of my musical development in general.

Want to be featured in an upcoming Flashband Meet the Musician? Contact Deborah Lash for more info.